Post by shakhar23 on Feb 26, 2024 23:00:59 GMT -6
In , the new Labor Relations Law was approved, by which women were no longer required to have their husbands' authorization to work outside the home. That same year, a few months after the dictator's death, Vindicación Feminista , the magazine that fought for women's rights during the Transition, hit the streets . The idea came from Lidia Falcón while she was imprisoned in the Yeserías prison in Madrid. After talking with the journalist Carmen Alcalde, with Anna María Moix and Marisa Híjar, they decided to take to the streets a publication that would inform and denounce the situation of women.
Feminist Vindication intended to encourage debate between different women's organizations; an ambitious project that had to face the first difficulty, which was none other than the economic issue. But money could not break the person who had endured Saudi Arabia Mobile Number List all kinds of problems, including prison, nor his enthusiastic collaborators; A bank loan fixed the situation. lidia falco Lidia Falcon The publication presented itself as an autonomous and plural magazine at the service of the entire feminist movement. With an initial price of pts. (price that was modified), Feminist Vindication lasted until The radical nature of the topics covered scared away advertisers, and we already know that advertising is important to meet the expenses generated by any publication: personnel, printing and distribution.
Despite everything, the magazine appeared regularly, publishing thirty issues in the years of its existence. Lidia Falcón, the main promoter and sponsor of the publication, had the collaboration of a magnificent team of women who believed in the project: Carmen Alcalde as director and editor-in-chief, Marisa Híjar as deputy director and in charge of the national and international policy sections , Anna Estaño was in charge of the editorial secretariat and the Newspaper Library section, Encarna Sanahuja and Regina Bayo were responsible for the Women of the World section, María José Raqué was in charge of film, television and theater criticism, tasks shared with Gumer Fuentes and Itziar Alberdi, Sara Presutto was the author of the comic strip, “Colita” (Isabel Steva) was the publication's regular photographer, and Ana María Moix was the editor of different sections of the magazine.
Feminist Vindication intended to encourage debate between different women's organizations; an ambitious project that had to face the first difficulty, which was none other than the economic issue. But money could not break the person who had endured Saudi Arabia Mobile Number List all kinds of problems, including prison, nor his enthusiastic collaborators; A bank loan fixed the situation. lidia falco Lidia Falcon The publication presented itself as an autonomous and plural magazine at the service of the entire feminist movement. With an initial price of pts. (price that was modified), Feminist Vindication lasted until The radical nature of the topics covered scared away advertisers, and we already know that advertising is important to meet the expenses generated by any publication: personnel, printing and distribution.
Despite everything, the magazine appeared regularly, publishing thirty issues in the years of its existence. Lidia Falcón, the main promoter and sponsor of the publication, had the collaboration of a magnificent team of women who believed in the project: Carmen Alcalde as director and editor-in-chief, Marisa Híjar as deputy director and in charge of the national and international policy sections , Anna Estaño was in charge of the editorial secretariat and the Newspaper Library section, Encarna Sanahuja and Regina Bayo were responsible for the Women of the World section, María José Raqué was in charge of film, television and theater criticism, tasks shared with Gumer Fuentes and Itziar Alberdi, Sara Presutto was the author of the comic strip, “Colita” (Isabel Steva) was the publication's regular photographer, and Ana María Moix was the editor of different sections of the magazine.